

Unlocking Women's Art
Books | Art / History / General
4
P. L. Henderson
Who were the pioneering female painters and who are the best contemporary women painters around today? Discover the historic, contemporary, and global landscapes of female painters in Unlocking Women's Art. Dive into iconic movements (from Portraiture & Identity to The Avant Garde; The Nude to Landscape and Nature) and find out about the significance of female creativity. Challenge your existing views of women artists and look beyond Eurocentric ideas to learn about brilliant Indigenous and global artists of the past. Includes over 20 interviews with contemporary painters, providing fascinating insights into their practices, themes and personal motivation. Interviews with artists including Shani Rhys James, Sungi Mlengeya and Sarah Maple. Full colour with dozens of new and original images of the featured women artists' work. Contents: Introduction 1. Portraits and Identity 2. Nature 3. Still lives 4. Models, Muses and the Nude 5. The Avant-garde 6. War and Peace 7. The New Radicals 8. Bibliography
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More Details:
Author
P. L. Henderson
Pages
237
Publisher
Supernova Books
Published Date
2023
ISBN
1913641368 9781913641368
Community ReviewsSee all
"A mix of art history and analyzing pieces. I found it very interesting and fun to read.
This book mainly focuses on Western art but touches on Eastern artists occasionally. Popular male artists taught in most art history classes are brought up and compared to women artists who worked in the same periods.
I found it analyzes art professionally and in a detailed way. It introduces symbols found in a variety of women’s art and analyzes them in the context of the artist’s intentions and the context within history. Notably, this book compares artistic symbols in works made by men to art done by women and says why something works or doesn’t work. This feels like a college course textbook rather than an in-depth analysis, due to the author covering so much time and so many artists.
The author mentions various power dynamics between artists and their models, especially male artists. It also touches on the difference in how men paint women (objectifying) while women artists understand the model’s perspective and can represent a natural and intimate scene. Another thing that was mentioned was the erasure of women artists, especially if their husbands/siblings/etc are well known (ex. Lee Krasner and her husband Jackson Pollock).
My biggest complaint is the cover. It works with the title but is fairly boring, and I wish they picked something else. If they picked a painting that better represented the title in a better way or if they commissioned an art piece for the cover, it might look better. Personally the artist interviews were not interesting to me at this time, so I skipped them. On a later reading I might look into them more.
* Thanks to the publisher Aurora Metro via Netgalley for an ebook!"
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